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16mm Splicer - Movie Editing



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Seven Minutes

I’d bought an 8mm splicer for two dollars — the 8mm splicer was fine because 8mm and 16mm essentially have the pins in the same place — and a roll of perforated splicing tape, and I was off to the races. Once I had the prints, all I used was the splicer and a piece of lumber with two screws in it. I’d put each little reel from the lab on one side, and on the other side I had a big reel where I wound up all the film. So I wanted The Flicker to start off with the warning, followed by the long, slow credits, and then by the opening moment of the film proper, a completely blank screen, so that, finally, about seven minutes into the film just a little something... That is, I wanted to exhibit the power of the medium by showing that even if you wished to, you couldn’t stay in that space, that it was under the control of the film — well, under my control — and that you had been drawn into and driven by the... I constructed the film very carefully so that you’re inexorably moved, very deliberately and very systematically, into an experience completely out of the ordinary, where perception is dramatically altered. My little splicer was in the middle. I wanted them to be compliant, so that the little thing that was going to happen would be a surprise, something that they would understand as going on — not just passing by, as Arnulf Rainer does. I knew from my experience with long-duration music that once you start the performance, the audience waits to see what’s going to happen, and after a couple of minutes, people are thinking, “What is this shit. I’ve always thought of The Flicker as a kind of bizarre science fiction movie, as a space that you can enter — in the way that you enter the narrative space of a regular Hollywood movie — and go floating off into some weird dimension, and then... they acquiesce to the situation …. MacDonald : Or they leave — fine, if they’re going to leave, I want them out of there. In any case, I felt that if the warning were to be for real, then I had to leave time for someone to say, “Oh, well, let’s see, actually that’s me being warned. : … I had decided to produce one one-hundred foot roll of film that would include the forty-seven arrangements of [all] black and [all] white frames that I had in mind. Remember, in terms of extended-duration art experiences, I probably had had as much experience as anybody in the world at that time — other than the other musicians I was working with. So I really didn’t have any way to actually find out anything ahead of time, though I did have a pretty good idea of what would happen. I’d better leave,” and then to explain to his girlfriend or whoever why he was leaving, and still have time to actually get out of the theater. It took a very long time to make these five hundred splices, because in my enthusiasm and inexperience I was almost obsessively careful. I wanted each of the forty-seven variations to be repeated ten times. In other words, only one thing would be happening, and the audience would notice it, in part because almost nothing had been going on before. We were doing long-duration music where you had the problem of “nothing happening,” a complete novelty at that time. I didn’t want people to be in a “Hey, let’s get it on. ” kind of mood. He told me, “If you put a notice up there, people are going to be having ‘seizures’ who aren’t  epileptics. I cut each of the ten rolls apart into forty-seven pieces and then spliced them together into the right order.

Source: Unreal Nature

Jan 28, 2013 by Aimee | Posted in Camcorders

How can I rent a rent a motion picture film camera?

From a company, like Arriflex, Panivision etc. is it the directors job to get the equipment like that? I plan on shooting a short in super 16mm.


Hi Aimee: I understand from some of your previous Q&A's here on Yahoo!Answers that you are a young Canadian writer who aspires to direct films, and who enjoys directors like Stanley Kubrick & Ridley Scott ("Barry Lyndon" & "Blade Runner", respectively). Now, you are focused on renting a 16mm film camera & spending a $20,000 budget on a scripted short film. But in the last couple of months, you've been asking such basic questions such as "How do you edit a film made in film?" and "How does sound work?" This is why people go to film school. But you "Do not plan on goin' to film school." I'm afraid you'd end up spending $20K, having no useable film to show, and getting your own expensive version of "school-of-hard-knocks" film school. As for your actual Question, traditionally the D.P. (director of photography), not the film's Director, decides the camera & which lenses to use for shooting. The Producer, not the film's Director, makes the rental arrangements and pays the bills. On a small independent production, the Producer & Director (and even D.P.) can be the same person. But you are an aspiring director with no experience on-set or behind a camera. If you have an actual "finished script", you should first try to get it "workshopped" at a local drama group or university drama department. This is the best way to see how all your scenes play out with real actors (and not spend a dime on film & lab costs). This will also introduce you to talented actors you can afford later on. The Sundance Institute (Robert Redford's non-profit organization which also produces the Sundance Film Festival) has various Labs/workshops & Fellowships to allow new writers & other creative people to collaborate without going broke. Canada has

Dennis C | Jan 28, 2013
Dennis C | Jan 28, 2013
Hi Aimee: I understand from some of your previous Q&A's here on Yahoo!Answers that you are a young Canadian writer who aspires to direct films, and who enjoys directors like Stanley Kubrick & Ridley Scott ("Barry Lyndon" & "Blade Runner", respectively). Now, you are focused on renting a 16mm film camera & spending a $20,000 budget on a scripted short film. But in the last couple of months, you've been asking such basic questions such as "How do you edit a film made in film?" and "How does sound work?" This is why people go to film school. But you "Do not plan on goin' to film school." I'm afraid you'd end up spending $20K, having no useable film to show, and getting your own expensive version of "school-of-hard-knocks" film school. As for your actual Question, traditionally the D.P. (director of photography), not the film's Director, decides the camera & which lenses to use for shooting. The Producer, not the film's Director, makes the rental arrangements and pays the bills. On a small independent production, the Producer & Director (and even D.P.) can be the same person. But you are an aspiring director with no experience on-set or behind a camera. If you have an actual "finished script", you should first try to get it "workshopped" at a local drama group or university drama department. This is the best way to see how all your scenes play out with real actors (and not spend a dime on film & lab costs). This will also introduce you to talented actors you can afford later on. The Sundance Institute (Robert Redford's non-profit organization which also produces the Sundance Film Festival) has various Labs/workshops & Fellowships to allow new writers & other creative people to collaborate without going broke. Canada has
lare | Jan 29, 2013
it is not the Director's job to secure equipment for a movie, all financial obligations are the chore of the Producer, who will also get the profits from its showing and own the copyright. The cost of Hollywood type movies is so expensive that you often see list of several dozen "Producers" in the credits because those are people that invested money it the production. if you mean to say you are both director and producer, then i guess you are stuck with doing the honors. the first order of business would be to get insurance for your venture or production company. you cannot rent professional equipment without naming the rental company as an "also insured" on your business liability policy. that is your guarantee that the stuff gets returned and is undamaged when you have finished shooting in addition to paying the rental fees. remember you need to rent the lens(es) as well as the camera. Panavision rents gear because that is how they control use of their exclusive lenses. You would need to rent Arriflex gear from regular theatrical supply companies. You might want to look into advertising agencies that produce television ads, they might give you a decent deal and perhaps even provide a cinematographer to operate it.
Aug 18, 2012 by katarzyna | Posted in Other - Electronics

what are the features of this camera?

http://www.flickr.com/photos/siimvahur/3 663261164/


It's an 8mm cine camera made by Eumig in Austria. ...pronounced Oymig Eumig was very popular and sold millions of them of various models and also projectors to show the films. The Servomatic was made from 1958 until 1964. It's a double-eight camera, meaning it takes 16mm film and the film is exposed along one half and then turned over and exposed along the other half so you get 50 feet on a 25 spool of foot film. It's cut along the middle during processing and the two halves are joined together in a film splicer and come back as a 50 foot length which lasts for around 4 minutes on the screen at 16 frames per second. Films are edited the same way. The film goes into a small splicer which holds the film solid and allows you to cut it accurately where required. Cut pieces to be joined together are put into the two halves of the splicer, the emulsion is scraped off and film cement is applied. The join is then clamped tightly to join the two halves. A twenty minute home movie might have forty or more pieces joined together. http://www.youtube.com/watch?v=r7JGm5USQ KU The camera is powered by a 4.5 volt battery. The multi-faceted window on the front is a selenium light meter. Some pics of one are here, with the camera open to show where the film goes. The film is on a spool and is threaded around the film track and into the take-up spool. When it's exposed it can be sent away for processing and it comes back a few days later ready to show on the screen but it will normally need editing to make a good movie. http://mikesvintagecameras.weebly.com/eu mig-servomatic-cinecamera.html Here are some more Eumig cine cameras. http://www.fuchsberg.at/eumig/pandreas/m embers.nusurf.at/pandreas/eumig-museum/k ameras.htm In the USA Bell and Howell was the big name for home cine cameras. I have two of them, an Eumig and two Bolex high quality ones. Old 8mm and 16mm

| Aug 18, 2012
jonal | Aug 18, 2012
It's an 8mm cine camera made by Eumig in Austria. ...pronounced Oymig Eumig was very popular and sold millions of them of various models and also projectors to show the films. The Servomatic was made from 1958 until 1964. It's a double-eight camera, meaning it takes 16mm film and the film is exposed along one half and then turned over and exposed along the other half so you get 50 feet on a 25 spool of foot film. It's cut along the middle during processing and the two halves are joined together in a film splicer and come back as a 50 foot length which lasts for around 4 minutes on the screen at 16 frames per second. Films are edited the same way. The film goes into a small splicer which holds the film solid and allows you to cut it accurately where required. Cut pieces to be joined together are put into the two halves of the splicer, the emulsion is scraped off and film cement is applied. The join is then clamped tightly to join the two halves. A twenty minute home movie might have forty or more pieces joined together. http://www.youtube.com/watch?v=r7JGm5USQ KU The camera is powered by a 4.5 volt battery. The multi-faceted window on the front is a selenium light meter. Some pics of one are here, with the camera open to show where the film goes. The film is on a spool and is threaded around the film track and into the take-up spool. When it's exposed it can be sent away for processing and it comes back a few days later ready to show on the screen but it will normally need editing to make a good movie. http://mikesvintagecameras.weebly.com/eu mig-servomatic-cinecamera.html Here are some more Eumig cine cameras. http://www.fuchsberg.at/eumig/pandreas/m embers.nusurf.at/pandreas/eumig-museum/k ameras.htm In the USA Bell and Howell was the big name for home cine cameras. I have two of them, an Eumig and two Bolex high quality ones. Old 8mm and 16mm

16mm Splicer - Bookshelf


160 pages

16 mm film cutting

Creator: John Burder | Performing Arts - 1975

On some types of cement splicer heat is applied to the area being joined. This tends to produce a stronger join and also reduces the time that film needs to be left in the joiner. The minimum overlap used for 16mm film is 1/1 6in. This minimal  ...

Publisher: Taylor & Francis US

About this book
The film editor can make or break a film. What ends up on the cutting room floor, and why? 16mm Film Cutting is a step-by-step guide to film cutting which shows you how to achieve professional results.The practical side of the editor's job is clearly described and illustrated; breaking down rushes and making a simple join, identifying shots, first assembly, avoiding errors, preparing special effects, instructing the labs, compiling sound tracks and all the other stages in producing the final film. 16mm Film Cutting is an indispensable aid to editors and assistants working in all areas of 16mm film production.Complex techniques are presented logically for ease of understandingIdeal reference for all those working in the area of 16mm film productionGain a comprehensive overview of the processes and skills in 16m film cutting



480 pages

Film Production Technique: Creating the Accomplished Image, Creating the Accomplished Image

Creator: Bruce Mamer | Business & Economics - 2009

With the Rivas splicer, doing angled sound cuts requires using a second splicer equipped with the angled blade. The frame line runs between the sprocket holes on both 16mm and 35mm film, so the cut is right at a set of sprocket holes.

Publisher: Cengage Learning

About this book
FILM PRODUCTION TECHNIQUE: CREATING THE ACCOMPLISHED IMAGE, Fifth Edition, combines extensive information on video production with a strong emphasis on how motion picture film can be integrated into a project's workflow. An invaluable resource for those w


Motion picture, TV and theatre directory for services and products

Performing Arts -

GUILLOTIIIE SPLICERS FOR USE WITH lI0lI-PEIIFOIIATED TAPE Regular 8mm Splicer ........................... .. $192.30 Super 8mm Splicer ........................... .. $192.30 16mm Splicer - Straight Cut- Model $227.50 16mm Splicer - Straight Cut-........ M3 .


Movie Editing Equipment Directory

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Where to buy low price 16mm film stock, 16 mm movie cameras, edit splicers, film projectors, tape, reels, movie scopes, vintage cinema, light meters, books,

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You will Receive:(1) Vintage Cine-Kodak Editing Kit 16mm w/ Splicing Tape, Splicer, Film Leader, Etc. -Senior Splicer. Click Here For More Cine-Kodak Info.

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PROJECTORMOVIES.COM SUPER 8MM 16MM ELMO FILM PROJECTOR ...
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Movie Editing Equipment

Editor's picks

  • CameraWorksNW

    16mm Sealed Film Splicing Tape -20 Individual Packs of 2 tapes each -Flexible and Long Lasting

    Photography (CameraWorksNW)

    Tapes are manufactured using Kodak's original formula and procedures
    Tapes are sealed. There are 20 tapes to a pack. Each individual tape has 2 pieces -one for each side of the film
    Splicing Tapes for Professional16mm Movie Film -B&W or Color
    Tapes are pliable and resist becoming brittle with age


  • Vintage Craig Model S-6 Master Six Splicer 8 & 16mm Film Splicer Editor

    Single Detail Page Misc


  • Authenticated

    1937 Ad Movie 16 mm Film Screen Splicer Popeye Cartoons - Original Print Ad

    Home (Authenticated)
    List Price: $25.95

    Authentication: Dual Serial-Numbered Certificates of Authenticity w/ Full Provenance
    Dimensions: Approximately 6.5 x 8.5 inches; 17 x 22 cm
    Product Type: Original Print Ad; Grayscale
    Grade: Very Fine
    Packaged in custom sleeve w/ archival black board (great for display, gift-giving, and preservation)


  • MettleAir

    Plug in to Connect Tube Splicer Reducer Fitting 16 mm OD - 12 mm OD by MettleAir

    BISS (MettleAir)

    Model: MTIGJ 16-12
    Tubing: 16 mm OD
    Tubing: 12 mm OD
    Body Material: Composite
    Type: Tube Splicer Reducer


  • LPL Co., TOKOYO JAPAN PAT.

    cement splicer photo accessory

    Single Detail Page Misc (LPL Co., TOKOYO JAPAN PAT.)

    8-16 mm film splicer
    3 way super 8 reg.8-16 mm


  • Kodak

    KODAK 16MM PRESSTAPE splice tape (formerly)

    Single Detail Page Misc (Kodak)

    Rating (2 reviews):
    (5.0/5)
    Kodak

    It Sticks!

    0 5/5 Anthony J. Agostinelli "Tony Agostinelli" (Portsmouth, Rhode Island, USA) - See all my reviews, March 14, 2013

    HARD TO FIND ITEM THANKS

    0 5/5 JIM CAVALLARO - See all my reviews Amazon Verified Purchase(What's this?) This review is from: KODAK 16MM PRESSTAPE splice tape (formerly) NOT KNOWN WERE IT IS MADE BUT.CAN YOU JUST SEE HOW MANY AMERICAN WORKERS COULD BE PUT TO WORK IN AMERICAN FACTORY IF WE ALL WERE TO STOP AND ONLY BUY AMERICAN PRODUCTS. IF YOU COULD SAY ( THIS PRODUCT IS MADE IN AMERICA ) 0 Help other customers find the most helpful reviews  Was this review helpful to you? , March 5, 2013
    Pre-perforated for easy application
    Clean and easy to use
    Secure hold lasts a lifetime
    Formerly made by Kodak, still made in the USA


  • Promax PROLITE-40 Fiber Optics Fusion Splicer, Fiber Cleaved Length 8 - 16mm

    BISS (Promax)
    List Price: $8,939.00
    Price: $8,528.99
    You Save: $410.01 (5%)

    Adjustable parameters, Auto select best splicing program, Storage of splice result: 5000 results (3 parameters), RS-232 interface
    Rechargeable battery operation: 130 splices., Single X or Y view and X and Y view simultaneously
    5" color LCD monitor with clear digital image display, Auto check quality of cleaved end face
    Small bulk and light weight, Inner light to set fibre at night, Inner heater, 9 seconds splice time and 30 seconds heat time


  • SUNWIN

    High Precision Cleaver CLV-100B Type Optic Fiber Cleaver For Cleaving The Fiber

    Kitchen (SUNWIN)

    Cleaving length :9 ~ 16mm
    Fiber Type : SM
    Fiber Diameter: 0.25 ~ 0.9mm
    Fiber Core Diameter : 125um
    Cutting Face : 12


  • Spyderco

    Spyderco Lum Chinese Folder Knife With Vg-10 Flat-Ground Blade Nishigun Carbon Fiber Handle

    Sports (Spyderco)
    List Price: $239.68
    Price: $159.95
    You Save: $79.73 (33%)

    Overall Length: 7-3/16" (183 mm).
    Lum Chinese Folder Carbon Fiber Plain.
    Closed Length: 4-1/4" (108 mm).
    Blade Length: 3-5/32" (80 mm).
    Cutting Edge Length: 2-7/8" (73 mm).


  • uxcell

    50 Pieces Yellow Button Gel Filled Phone Wire Butt Splice UY Connector 2 Port

    CE (uxcell)

    Rating (15 reviews):
    (4.4/5)
    uxcell

    Easy and Quick

    0 5/5 justin dysart "Justin" (Fayetteville, AR) - See all my reviews Amazon Verified Purchase(What's this?) This review is from: 50 Pieces Yellow Button Gel Filled Phone Wire Butt Splice UY Connector 2 Port (Electronics) Easy to use to make quick connections to small wires. I have used them to extended data wires in a pinch, but always be careful and have a backup plan when it comes to more important wires. 0 Help other customers find the most helpful reviews  Was this review helpful to you? , July 19, 2013

    Great for pet owners!

    0 5/5 Edwin Brackett (Manassas, VA USA) - See all my reviews Amazon Verified Purchase(What's this?) This review is from: 50 Pieces Yellow Button Gel Filled Phone Wire Butt Splice UY Connector 2 Port (Electronics) I ordered these to repair the low-voltage control wires on my adjustable bed after my cat chewed them up. You don't need the special pliers for these unless you're doing a lot of them, then the pliers are worthwhile because they'll hold the splice for you. I adjust my Vise-grips to the right setting (start too loose and adjust the screw until they close the first one flush then you can do them all). You can also just press the button down with a screwdriver handle on a hard surface if you're only doing a few. Make sure the wires are all the way in - the gel tends to push the wire back out. 0 Help other customers find the most helpful reviews  Was this review helpful to you? , May 27, 2013

    Yellow button connectors

    0 5/5 Patrick L. Blythe "Big Daddy" (Reasnor, IA USA) - See all my reviews, December 7, 2011
    Material: Plastic Casing, Gel-Filled Inside
    Size (Each One): 7/16'' x 5/16'' x 5/16'' (L*W*H)
    Type: 2 Port, Single Blade
    Applicability : To Connect two Telephone Wires, Data Signal Cables, and Other Conductors.
    Suitable Wire Diameter: 0.4mm-0.7mm